Tag Archives: Theatre criticism in Australia

June 19

An update on the ongoing question of why Australian Theatre criticism is valuable – even when I do it.

This post is a contribution to a contemporary debate about Australian theater, inspired by this post and this post, both of which I found illuminating and inspiring. When I feel generous toward myself (or haven’t outlined a plot for 2-3 pieces in a row) I like to state that I am a “critic” rather than […]